6.28.2007

Waterhorse







One of my projects here at the residency was based around the folklore character named a Kelpie, or Waterhorse. I cast the bottom of a boat in kelp, making a skeleton of the vessel. The timeline made it impossible to cast the entire boat, but it is still the size of the window in which it hung. It is interesting to have to move house with it, a big sheet of woven dried seaweed wrapped in the style of a ball gown, as a friend noted. I cannot leave it behind. Not yet. It is like fragile parchment with it being most beautiful when the light is allowed to shine through it. It is like a shield and a church window in one.

I laughed to myself at the whole struggle to not abbandon it even though moving from one new house to another, and now it traveled a bit by car. There are just some things that are so impractical to be moving around with, yet they bring a peace that justified the act. In a way, the Waterhorse is a net and within it I have caught the sea with its scent and mysteries revealed in its amber light.

6.25.2007

Fire and Ice



(still from video by Anna Peach, 2007)

I am trying to get all things tied up in the final weeks of my residency. Just wanted to post an image from the pack ice that was pushed up into the splash pools a while back. I found the quality of light so beautiful. The ice bergs pushed in for another appearance. Reminded me that I have been too busy working outdoors and not posting any of the images.

I am writing more, thanks in part due to the encouragement that has come my way. My posts are getting short and sweet, but know that I am simply woring away at the edge of the sea. My worksites are now changing due to nesting needs. I have to smile as I write the words, but it is true. Considering the seabirds are balancing on tiny scraps of horizontal rock...they are not asking all that much, so I think I can at least back off and give them their privacy.

The Lobster men are out in the calmest of seas and the terns dance like butterflies.

6.17.2007

Environmental exhibit Hawaii

One small note to update about the environmental exhibit/conference I blogged on about earlier...well my work was accepted the other day. Was happy to hear the news and be a part of this effort to let artists be messengers for the earth....

The Calm Returns



Still from underwater video by Anna Peach, Newfoundland, 2007

It is time to figure out what I can accomplish in my time here. I collect Kelp, sort, wash and sculpt it. Wait. Wait for the sun, wait for the ice, wait for the calm, wait for the rain, wait for the crows, wait for the plankton, wait. My patience is improving. The moments are all appreciated. I am using each moment and directed by the wind, the weather and the sea. I am letting go of the need to try to control all things in this place where most is beyond your control. Even the gulls rest today in swimming pool calm. Breathe in deeply, look and learn.

6.14.2007

Planktos


Still of Sea Butterfly from video titled, Planktos by Anna Peach, 2007



Planktos, the wanderer set afloat in sea rainbows
invisible on the surface, but seen through submerged eyes.
Predators in their midst, disguised as water.
Child drawn monsters in white crayon on infinite blue.
Circulating hemispheres mimicking the wind
Life’s foundation floating above solid ground.
Krill blizzards excited energy in ephemeral space,
making pink haze in red tides.
Jellyfish, thimble sized berries engaged in drifting warfare
showing casualties in their transparency.

6.09.2007

Crow in a Raindrop




Three stills from 2007 crow videos, by Anna Peach


I spend my days and nights with one idea tumbling into the next. I have moved from the sea to the rain and then back to the sea for sources that inspire me. From filming seaweed to harvesting it, from filming the raindrops to filming birds through them, my investigations are unending. I have been looking up the various species of birds and trying desperately to identify the numerous seaweeds that wash ashore. I have to laugh at the scientific documentation photos of seaweed that I find on the computer, for they all look exactly alike. These distant hazy images of lumps of seaweed on the shore, some more red, others more apple green. You have to wonder if anyone could use these images to identify anything, especially when we are talking about hundreds of species with many of them being a shade of green.

I selected to present a few images from my raindrop trilogy. I used the ice cam to film the local crows visiting my cabin. I became fascinated with them at first due to their ability to know when I was eating even though my eating time changes every day. They would perch outside the window and watch me eat. I soon realized that they also seemed to recognize me coming back from my hike, as they would call to each other and fly ahead to my cabin’s roof. They seemed to know that if I was returning to the house it had to be for food. Of course they were right every time.

I began to think about ‘birding’ and the aspect of stalking and watching birds. I too love to watch animals, birds, and fish. But if you really look at it, it is spying. Some types of spying we choose to accept, and others we find objectionable. It was this that brought me to the idea of documenting the birds that were watching me, namely the mated pair of crows and a lone raven. It became a double surveillance with the crows looking for me, while I set up the camera to monitor them. It seems relevant in this time of watching everyone else’s moves.

These three stills are taken from my crow-watching day. I found it to be an all consuming act where I had to open the windows so to hear their call and have time to trigger the camera whose cord slinked around the cabin and in through a window. If I dared to wash the dishes or turn my back to cook lunch, they would approach in their mating season loopy loops all with the camera on standby. This was done in the middle of a North Atlantic swell that was doing its best to push a few icebergs in my direction. The rain was coming horizontally and it took turns with the fog to make this a challenging act.

It ended up being both the fog and rain that also made the work successful and beautiful to watch. When I took up a cup of tea and reviewed the footage, I found that the fog made a hazy glow, and the rain had pooled on the lens creating a wonderful double image. At that realization, of course the rain stopped. I took loads of footage to find two separate three-second clips of this beautiful bird taking flight. In my video world, a few seconds is all you need.

PS this was written twelve days ago, but not posted. Needless to say the "crow day" is still going on...and on...