Showing posts with label New York city. Show all posts
Showing posts with label New York city. Show all posts

5.03.2011

Environmental Boot Camp and Beyond

Me and the "mud pail" are now inseparable



What a difference a few weeks can make. In February of this year, I was investigating solar panels and other low impact environmental solutions. Now just a few months later, I am helping to retrofit NYC buildings. How did that happen? A lot of early mornings and a great environmental construction training program gave me the jump start that I needed. I dove in head first and dedicated myself to my 'learn by doing it' philosophy.

It is a seemingly long jump from evening research in the NY Public Library to 5am alarm clock settings, stamina training and OSHA certification. But murals are in my opinion the most creative end of construction, so I felt confidant that my past field experience would help me to move ahead. I also wanted to find a way to include my environmental leanings as well as my educator background. I was ready for a bold move that only a boot camp-esque experience could deliver.

But before I get into that, we must look at why women would need their own training programs.
Women in construction are often looked at with disdain. We are seen as job stealer's that should be employed behind a desk, not on a scaffold. I have been hissed at and sneered at by other independent contractors, especially painting contractors who cannot and do not do murals. It seems like a strange fight to pick, but even today, other crews attempt to bully women off the work site. Women make excellent construction workers, but they are about 10% of the workers here in the city. Sad, but true.

So before I launched into the intimidating world of murals in NYC, I decided to transform myself from an office employee back into a career that is part blue, white and green collar. I wanted to leave my mark on NYC by literally making it a little bit better. I wanted to help to reset the city's consciousness. I also wanted clear results that could be measured. In other words, I wanted it all.

Enter boot camp...I got into the program by exhibiting competency in math and English, and two interviews. The process was quick and before you knew it, I was searching for women's steel toes and Carhartt pants. I was prepping by watching the E2 PBS series, desperate to get my environmental game on.

Within the classroom, I was on the surface perhaps out matched by a couple of tables of women who were fresh out of the police and/or military. They were powerhouses of strength and it appeared that nothing was going to intimidate them. Enter pale, lanky me whose childhood name was "rickets." I was kinda bony and looked like I wouldn't make it through the first week. I even had a slight limp from my leg surgery the week prior. I looked like wounded prey. What I had going for me was a hunger for change and a mind that liked a good challenge. Plus, I never give up without one heck of a fight. Those things were well hidden within my protruding rib cage.

So in I walked and sat down like I was a little tornado of construction know how, crossing my leg and twirling my steel toes around like I was born to wear them. Did it intimidate my class? not really, but it was worth a shot.

Little did any of us know that I could learn to lift 1/2 my body weight and still manage a smile. I embraced my inner number cruncher that had been dormant and perhaps shadowed a bit by my math genius Brother. I was a desperate to do well, but not at the expense of my peers. I became a team player, a tutor, and tried to limit my complaining and bruise comparisons to short but meaningful outbursts. We became well bruised from running the stairs with anything and everything, from 63lb mud pails, to ladders, plywood and any other heavy/obnoxious piece of construction equipment that we had laying around. I was sleep deprived, along with being dairy, wheat and coffee free, which is a bad combo. This seemed like an insane time to stay true to my dietary pledge, but I did. I whined at times, and was wimpy at other times, but never gave up.

I grew new muscles and learned a new language of sorts. Now able to speak of voltage drops and Rip saw cuts with comfort and interest. I can now identify an unsafe scaffold a block away, and can cut a mitre box with precision.

On the inside I changed a lot and on the outside I changed a little bit, including the addition of a sparkly white hard hat. The hard hat was awarded for getting up in all weather and arriving in any of three boroughs before the sun rose everyday for six weeks. It symbolized not giving in to the temptations of comfy beds and snooze tag. Making your body move even when every muscle ached. The hat though made of plastic was worth it's weight in gold at our graduation ceremony, for it was a prize that was granted for nothing short of stubborn determination. Since stubborn determination seems to be my thing, it is no surprise that the hard hat now thumps against my thigh as I catch my predawn subway ride. It garners a lot of concerned looks from male construction workers and a lot of small nods from women on the train. It symbolizes so much more than my own personal battle to make a change in my own life, it speaks of a much larger battle to make a change in others lives as well, namely a change towards equality.

I am proud to be able to be able to move ahead into unknown situations and explore emerging employment fields. I think we as women are success stories every time we step on a subway dressed in a way that nobody expects. I like that my steel toes ruffle a few feathers and my paint stained clothes make children smile. I am happy when 20 something workforce trainees say that they want a hard hat just like mine. It is a small symbol of moving forward with strength and courage, like every single member of my class did.

So I think of all of those women in my class, on my work site, and those in my family who were influential in shaping my idea that we can do any job that we care to. Sometimes I smile when I think of my once lanky Mother climbing into a giant grain truck and plopping me down on the seat next to her. My legs swung a foot above the floor as we bounced and laughed our way along country highways never thinking that we were doing anything out of the ordinary. We were mavericks to the core and remain that way to this day. On a final note, thank you as well to all the other renegades who cheered for me these past few weeks. I tip my hard hat to all of you.

2.01.2011

Spring Nesting Project Discovered

Mexican House Finch nest (photographed in Winter) a collaboration between the finches and myself. Nest created using synthetic and natural fibers.
New York, NY

This past Spring, I began to interact with the wildlife in my area while allowing that interaction to be as natural as possible. I had noticed a pair of Mexican House Finches that had wanted to nest in the palm tree in my apartment. They were chirping to each other as they eyed the tree through the glass window. It was clear that the two were out looking for a home. It was equally clear that my room was filled with sculptures that mimic the environments that wildlife are looking for. It dawned on me that we could work together and build a nest.


Now building a nest is no small task, so I left the building to the experts, the finches themselves. I became one of many neighborhood material providers. Some providers, like the workers at a nearby construction site were probably unaware that the finches were raiding their discarded rope and strapping materials. I was equally unaware of their other sources until I noticed their nest after a big snowfall this past January.


I began by collecting up all of the pieces of natural fibers that I had discarded in my studio. Bits of linen and silk thread, wool yarn and the like. I made a hanging sock out of a length of women's nylons that I also use in my work. Week after week seemed to go by and all I could hear were their chirping nearby. I decided to add other fluffier materials that could charm a finch. I loaded additional materials to the existing fibers, this time adding Spanish moss, and some eco packing materials made from recycled wood. The sock was now overstuffed with a great variety of materials and it worked it's magic.


Several pairs of Mexican House Finches began appearing at my window to raid the goods. There was an Alpha pair (the reddest male who has managed to gorge himself on the most red berries and turn himself brighter red than the rest) and two other pairs. What I had not considered was that the finches saw my early sock offering and probably decided on their nesting site due to the materials. When I heard them chirping nearby, they were building the base of the nest from the construction materials. My supplies provided the inner nest materials.


I managed to capture a bit of video of the Alfa Finch as he raided the goods. This was no small task, because he is quite adept at making a very quick raid. (I am currently editing this video clip for presentation later. ) The Summer came and went, and what I did not realize, due to the thick leaf cover, was that the finches raised their offspring about fifteen feet from my window.

Just a couple of weeks ago I was looking out my window when I spotted a blotch of snow suspended in the tree. Upon closer inspection, I noticed that it was the nest containing the materials from my "nest helper" sock along with a great variety of other materials. I was, and continue to be quite happy with our collaboration.

The finch's ability to adapt to their changing world allowed them to make a fabulous storm proof nest. Will they reuse the nest? I doubt it, but I am not entirely sure. Most birds start from scratch every year. Which gives us a good reason to collaborate once again this next May.







3.14.2010

The Nose at the Metropolitan Opera

Do whatever you have to...get tickets for this. William Kentridge's wit and intellect are showcased in this piece.

2.28.2010

What do we do with what we have learned?

Upon a recent viewing of The Peabody Museum’s Oceanic collection, it struck me that I need to do something more with the knowledge that I have gained. As I peered into case after case, I realized that I could make many of those artifacts myself. Mine would be less refined than a master's work, but I know the essence of the making, learned and lived in the boats, beaches and jungles of many places. After spending fifteen years in and out of isolated island villages, I have acquired a layman's knowledge in the making of artifacts. From mat weaving, tapa pounding, harpoon carving, costume creation, seed work, feather work, pottery, fish hook carving…the list goes on and on. But here I sit upon the fair isle of Manhattan wearing the most unlikely face for the keeper of traditional knowledge.

Something about my nature allowed me into the lineage. I appear completely harmless, I am fearless, athletic, and in their eyes, completely lost. So I become adopted quite readily, and then promptly put to work. My pied piper personality type keeps me in good company in all times, and my young consorts allow me to add amateur linguist to my skill set. I can say niceties to appease all of the tribal elders just in case they stopped by to check on my fern frond costume.

Not only am I a ready gatherer, but I have also been known to display remarkable hunting tendencies. In the past I have displayed underwater harpooning skills, the ability to make a woven grass harness for carrying land crabs back to the village (so they are unable to break your fingers) I can bring a rock fish up a 350ft cliff face without teenage seagulls getting it, I can hold a stone to my chest and plunge to the bottom of the sea to collect clams- without busting my lungs-and so many more useful skills. But what do I do with this knowledge here?

As artists our lives and our work are so intertwined. But right now I feel like there is a great rift between my daily life here in New York and the knowledge filled, more traditional life that I naturally return to when I get away from this place. Artists are not always known for their adventuring ways. Society views artists as urban dwellers, subway riders, cafe sitters. I even know one New York artist who proudly backs this social view by claiming that he will not travel to any place where you cannot buy a proper cappuccino. During my transit to the museum, my seat mate turned to me and said, “so you made it all the way to Boston all by yourself?” Knowing that he had already learned that I was travelling from New York, I decided to let that one go. I made really big eyes and blinked them twice before responding, “I sure did” as I quietly began carving a harpoon.

1.04.2010

My New York Media Summary

Some of you may wonder why I am so concerned about my on-again-off-again relationship with the New York City media. I have compiled this brief summary of my appearances since 2007.


Anna's Wonky Costume Appearances

  • One week off the plane in 2007, I appear on the Today Show and conduct an interview dressed as a 10ft tall fluffy giraffe. My Mother manages to miss that particular episode. I cannot sense any magical chemistry between Matt Lauer and I, so I leave NBC Plaza resentful of the costume for blowing my chances.
  • 2008 me and my consorts nearly knock over the NY1 aerial cam while dressed as 11ft tall pink sea dragon and 12ft tall Puff the Magic Dragon; flanked by the before mentioned giraffe. Camera operator is partially to blame for misjudging our stature. Resulting footage makes it appear that we attacked the camera.
  • January 2, 2009 a point blank shot of wonky me at Polar Bear swim is all over the Internet. I make a pledge to knock it off with the toothy grin.
  • May 2009, my big chance with The New York Times critic and photographer, finds me slinking about a stage dressed as a sea anemone. Critic arrives late and tries to"figure it out" on her own...
  • NY1 plucks me from the Halloween parade masses, takes me by the fin and walks me into the limelight. I find myself unable to move due to stage fright. I appear like a deer in the headlights then shout "Land shark" through three rows of Styrofoam shark teeth. They go to commercial and give me a strange look.
  • January 1, 2010, Channel 12 and THE DAILY NEWS interview me while I am cranked on adrenaline after possibly 4 minutes too long in the water. I make giddy irrational comments that make me sound like a Polar Bear party girl all while dressed like the Flintstones Grand Pooba. More photos splayed on Internet. New photographer friend discretely notes that this year's point black shots of me are now going to the highest bidder in the Japanese press. I once again ode to knock it off with the toothy grin.

Meanwhile back in the islands...calm, rational articles about my artwork appear in regional newspapers and a magazine.

10.25.2009

That time again

Yes, It is that time of year when I strut through the Village in NYC dressed as some creature rejected from the Kroft Super Show. From the relatively tame giraffe to last year's 11 ft tall hot pink sea dragon, this year the pressure was on to come up with something new. I had several of you place votes on what I should be this year. Though they were excellent ideas...the materials that I was able to scrap together have limited my choices. I have seven reclaimed Barnes and Noble boxes and a pale metallic blue bed cover. So the way I look at it, it is painfully obvious that I have three clear choices: a seal, a dolphin or a manatee. I mean clearly a bunch of book boxes and a bedspread come together to form a manatee. Are you with me? I am going to give myself plenty of room to decide, since my focus is torn between writing a grant, studying Spanish verbs, and deciding what a walking manatee might look like. What was it that those researchers at Yale said about multi-tasking and reduced brain function?

9.30.2009

Your Art Career Should be Worth $18

Did you ever have one of those days where a kind, simple comment from a stranger nearly levels you? Well, today was my day. A speaker found a bit of encouragement in the "twinkle" in my eyes, as I sat in the audience tonight. I wasn't feeling very bright eyed on a day that began with my contemplating the difference in gliomas all while picking poodle poo out of the grass in Central Park. But anyone who knows me knows that I can pull beauty out of chaos like nobody else, so this became the newest set of challenges to build from.

Earlier in the day I had a long discussion about "righting" patterns of behavior. I am no stranger to this topic, as I often find myself willingly and "happily" clinging to my addictive ways. I don't have your obvious glaring societal addictions (aside from my on again off again battle with coffee), but I do suffer from the classic artist addiction. You may be thinking the worst right about now, but artists often suffer from a downright crippling ailment where we put everyone and everything before our art. It becomes a crazed whirlpool of making others successful all while we shove our own art into little spurts of effort.

When someone you know and love faces a health crisis we can respond in many ways. Supportive, informed, and overall solid actions need to occur, but I also think it is an important time for self-improvement. It is a time where we put others first of course, but if we loose all sense of self we are not very healing to be around. Self deprivation can be as toxic as the disease that we are trying to coax out of a loved one's system. I mean really, how are we going to help anyone see the beauty of life if we are not allowing our own selves to see it?

So off I went into the depths of New York City to remind myself that I am an artist. As I cruised my usual empowerment haunts I looked for a sense of possibility. So much possibility surrounds us in New York City that I think it almost suffocates us. Too many options can be more frightening than too few, but it was my mission to try to turn that way of thinking around tonight by wallowing neck deep in artists who want to be career artists. We could have been slinking around in Williamsburg bar, but instead we clustered into the Lower Manhattan Cultural Council's current Artist Residency Space on 77 Water st. It was such a great turnout that the location had to be moved so that we could hear Jackie Battenfield discuss the likelyhood that we can all be career artists if we continue to push ahead.

Battenfield has just published a book called The Artist's Guide: How to Make a Living Doing What you Love http://www.artistcareerguide.com/ . It is the kind of book that you will have in your life forever. My immediate response was to wrap my arms around it's 400 page girth as one might hug a pillow before bed. I held it this way during her lecture as well as on the train ride home. I found myself alternating between hugging it and reading it, which is a combination that I admired from the start. There are a lot of career guides for an artist to choose from, but this one feels different already. First of all, I liked her both as a person and as a speaker. Secondly, it is chucked full of intelligent quotes in the margins. Lastly, both her talk and her writing style is a bit like the career coach that you thought you would find in art school, but never did. Most of us did not have someone who stayed "on you" just enough to bring you to your best, but Battenfield's well layed out book can help compensate for that void.

Alright, it is time to close up for the night. Promise me that you will spend the $18 bucks as a gift to yourself.

9.07.2009

Sponges

I never knew that sea sponges grew in great quantity off from the far Eastern coast of Staten Island. I would have never guessed. I discovered them on one of my latest treks around the coast that surrounds New York City. I have to say that it is a tough one for me. I can find hope, beauty and inspiration almost anywhere, but the waters off New York city kinda make my heart sink. We all know that the area isn't exactly known for it's picturesque waters, but I continue on in search of something different, something special even there.

The sea sponges were a pleasant surprise. Two specimens now sit upon my windowsill mini-lab. I have rinsed them and seemingly re awoken their "sea scent." So now they sit in the open window to dry. The sent is a wonderful one. I was happy to find that the passing hurricane threw so many onto the beach for me to look at. The fresh sponges were bright rust orange. I wrestled an older sponge out of the wet sand and brought it home to look at. The rest I happily tossed back into the bobbing sea watching the copper float in the dark brown sea.

I found this link
http://www.ldeo.columbia.edu/edu/k12/snapshotday/activities/oysterorganismguide.pdf

that explains some of the creatures that can survive in even the highly polluted NY/NJ area.

6.07.2009

The Influence of Dance



Hovering in midair, the elements aligned. Stretched lines, pointed toes. The body fragmented and reconstructed into something that echoes vines and trees. A bean stalk of wax forms shaped into slender women's feet twisting to the ceiling, as willow branches intertwine. Jade green casts measured, numbered and named in a factory on the far side of the Pacific.

5.29.2009

New York Times Review

So they say you are not really an artist until you get squashed by the Times. I guess we now have that one covered. We had a great pair of performances, friends came, the NY Times sent a photographer, the house sold out...all seemed to be going absurdly well until the critic arrived. Well, maybe you can guess the rest. The Times critic came to our performance in grand fashion, stepping over the head of our dear Ryan as he performed his live sound score on his Mac. She was late in her arrival and the House didn't wait, so she circumnavigated the theater and did her own aerial maneuvers past the light booth and over the laps of many. What resulted was a scathing review of all performances, the editor of the program and even the theater itself. In the big scheme of things I didn't get it so bad.

Let me pull the quote,

"a sea-anemone-type creature covered in spiky white balloons hunched its way along the side. At the end there was a short film of something entirely indeterminate that seemed to involve water."

Ah yes, "entirely indeterminate" that is my favorite bit. For a visual artist working in nature, that is an outstanding complement. It is very hard to have something be "entirely indeterminate" and yet still get across that it is water. I was kinda happy. So it wasn't a loss for me. I got a great laugh from it and was honored that the powers that be sent us both a photographer and a critic. Plus it is almost guaranteed that the next New York Times review will be better...

5.02.2009

Convergence




Additional stills from the video Convergence.
Video by Anna Peach, Performance by Yen-Fang Yu and Anthony Whitehurst
2008-2009


1.01.2009

Aquatic





My Waikiki photographs. Working around the idea that the sea has a memory of its own experience.

9.07.2008

The Witness

In the sun, just past the shadow
of the Natural History Museum
sits a white shopping bag of orchids.
Robbed of their containers,
roots reaching like grey worms after rain.
I think of the ghosts
of the scientific explorers
who must roam the halls that lay
behind those nineteen inches of granite
to be forever near their prey.

They must think back to a time
before malarial dreams swept away their lives
in jungles they were not suited for.
Linen clad days spent pointing up trees
where native guides would climb
to stuff plants into cotton bags.
Their parasitic nature was loved,
coddled and named like a newborn.
Thirteen letters in Latin that seemed too much
for a fragile one who would burn in the light.

Eventually they grow and turn inward,
nurturing leaf over bloom.
An act of strength mistaken for death
in a store somewhere nearby.
Bringing an Uptown salesman to abandon them
in an unmarked bag on the corner of Columbus.
Walking away as if leaving a crime scene
brushing evidence from soiled hands,
turning chin over shoulder to see if someone
will know what to do with the captives now freed.

7.02.2008

Adaptation

Other Possible Planets, coral growth on golf ball recovered from Pacific reef.
Mounted in plaster on panel. 24"x24" by Anna Peach

I am trying to adapt to my city life, but write about my ties to nature. Living on concrete but reminiscing about the jungle, the islands, the ocean. A directness, raw, churning life. I lay in the grass when I can. I realize that when I tell the story of my life, all is about the creatures. I chit chat about exotic blooms and invasive vines. Phosphorescent plankton in the bellies of squid. That is where I dwell. I speak of harpooning techniques for Moray, to the amazement of strangers. This has become a normal life for me and now I tell these stories in a densely packed city while gazing upon rooftops. I feel a bit like the animals at the zoo who adapt to the new conditions, but every day for a few minutes contemplate how they got there and why.

6.06.2008

Camouflage Union Square





It ended up being more powerful to face the rain than the sun. It is always that way. You say that you want to have things go perfectly with clear skies, warmth and glow around but you really don't want it that way. Ambiguity and chaos are more interesting. Face the cold and the shadows and then you have something to remember. Stand in silence, cloaked as nature, in this private act shared.

5.12.2008

Apparation




This week I did an abnormal amount of introspection as I walked the city. I walked in the middle of the night and criss crossing the streets in between jobs. I discovered fantastic places right around the corner from where I have been living for six months. I was seeking to find potential in the common, as is usual for me. Maybe focusing on the idea of strength against adversity more than usual in the past week. I made a lot of progress with both my editing and my subject selection, even a few advances in the area of style. Then what do I see through my lens, but what appears to be an apparation of a little girl. It seems to be perfectly impossible which was just what I was looking for. I think in German an apparation is 'Geistererscheinung' but I may have added a few letters, for it seems even too long for German! But no matter what you call it, it made for a wonderful four minute video where the impossible seems to come to life.

5.05.2008

Inspired Walk







It was an interesting day today. Some healing, a chance to rest, a chance to eat. I laid in the sun, discovered a lake in the middle of uptown. Took the time to notice Spring before it goes away. I looked at light and shadow, talked about art with a four year old on the crosstown. I walked and walked. I came home to find my neighbor was throwing away a giant framed color photo of Milford Sound, New Zealand a place where I have stood. I watched my new videos that only make sense when seen as video. They fall apart as stills. The people blend into facades and the buildings melt into sky in kaleidoscopic images.

4.20.2008

Seven Days

1
I spent my hours below Mercury's winged feet,
where champagne and blue blood flow from
the veins of Statuario Venatato,
cut and faced to see its own image like Narcissus at the pool.
Wing tipped collars flutter like doves in a Charleston stolen from the time when Robber Barron's autographed the stairswith a monogram rather than ink on the page,
to prove that they owned everything including the letter.
2
An Ecuadorian shoe shine in the heart of Hell's Kitchen
in high chairs with old boys now taller with a woman in their midst.
Catching their hair cuts and coffees between trains.
I later polish crystal for their flock on terraces high above Fifth.
while the sun sinks deep into the Hudson;
their inner fires stoked with Red Label.
They speak of paperless offices while clutching cocktail napkins like butterflies in their fists.
They return as Pale Male to their mate in waiting,
talons clutching Chardonnay rather than sticks.
3
Under fire beneath Magnolia's blush falling
in courtyards where lawyers in training study laptops
while I learn the sky.
Filing past slipping on nature,
leaving tread marks in petal flesh.
I shop for genres on a park bench dressed in
shirt sleeves and tie.
My prose is too formless for a poem,
To rambling for essay, reminding me of
a onetime professor with the crisis of mid-life
taking students as suitors and pen as witness to shame.
4
Spring announces itself in midtown at midday.
Women wave Victoria's secret bags as flags of surrender
to men who tip hardhats like stagecoach dandies.
A chandelier waiting curbside in a Rubbermaid tub,
lying as a victim to spring cleaning.
Bronze arms reaching through rainbows of its own creation.
5
The waiter trades uniform from black
to royal blue to desert camouflage
because he got the call that officers are needed in the desert.
War pays better than pouring Cosmos for office girls.
He says he's got nothing to loose.
By day his battle is for custody in courtrooms
where he walks the line of contempt.
I think of a country so proud of it's neutrality,
but whose soldiers shoot wives when they turn to go.
6
Bartenders speak of The Towers like a wound
that bleeds upon the glassware.
Pushing hi balls into order in hopes that they will
cover the hole in the sky.
The Albanian is blinded to beauty
even though it surrounds him.
Like leaning into poems, too close to decipher
when your eyes blur words into one.
So he leaves to go hunting without checking
to find that his net was already full.
7
My Booker is asking if I need assistance
with the situation that I left behind.
His mentioned connections to friends
who know how to handle these things.
I skate to the Pope but instead join the Tibetans
in hopes that that He would understand.
I am passed by a nun on a Schwinn who flies
like an angel through the helicopters of Riverside Park.

4.15.2008

Six months in NYC

It has been a blur of time filled with so many strangers
walking at a quick pace in the city that never sleeps,
yet seems to sleep more than me.
I avoid times square at all costs
I bought a tux in Chinatown
I have been feeding diplomats.
I sat with Anthony Hopkins in a screening,
had Phillip Glass join my New Years day inspiration.
I have remembered again how to dance.
I have walked the back corners of the Waldorf
and fed the United Nations candied figs
I poured rum for the Dominican Republic.
I watched comedians act as a minister
and cooked bok choi in Long Island.
I filmed stinging nettles in aqua blue tanks,
learned to love the Hudson as it is.
I walked the Bronx to discover spring
in the faces of a school field trip.
one day spent speaking in five languages
I bought red dresses with intent.
I walked in a parade as a giraffe,
I helped children believe in the kindness of Santa.
I bought orchids and mangoes to relieve the pull
back to the islands.
I made friends of strangers, helped the elderly cross Fifth.
I cheered for prodigy's who blushed in their youth.
I asked questions of poets
and read the smile lines of the people on the 5 am train.
I dreamed again of possibility.

2.21.2008

Camouflage


Miyoko in full camouflage. Central Park, NYC, Feb 2008
So I am sort of dragging this post out for a while, but I keep thinking that a little more of the story is revealed in the images. I think Miyoko looks quite content to be in the full regalia. I think that I need to get back to art making again. The beginning of the month was a fury of creativity that was soon replaced by dollar earning and illness. I need to get a couple of pieces completed and submitted to a show back in Honolulu. I feel a world away from Hawaii right about now. But the sun shines bright and tonight somewhere in that sky lies a full moon.